when art pisses you off

Last Wednesday, I had the opportunity to sit in on, participate in and document a training session for the MCA's Artist Guides (AGs), the corps of practicing studio artists who lead conversation-based tours for school groups throughout the academic year. The training was fantastic, in that I got to meet most of the AGs and hear them talk about their art, how leading school tours fits into it, and their unique role within the greater institution.

During the latter half of the morning session, Marissa Reyes, Associate Director of Education, School and Teacher Programs, rolled out the MCA's freshly crafted vision statement, which serves as a complement to the museum's mission statement by stating not what the MCA is but what it aspires to be. AGs, staff, and myself then broke up into small groups to parse out particularly complicated sections of the statement, and came back together as a large group to share insights and come to a collective understanding of the vision's meaning through the lens of the AGs' work with students.

Part of the vision statement refers the MCA as an "audience-engaged platform for producing art, ideas, community, and conversation around the creative process." A common question among AGs was: How do we make our students self-confident enough to become truly engaged? One AG, Alex, noted that when you come into a museum, you're essentially a human being, flesh and bones, in a building, looking at stuff. How can we help others make something more from that "stuff," when it also means taking the risk of making mistakes? Rachel Harper suggested that in order to do that, we need to set up boundaries to keep the space safe and allow students to push up against those boundaries. Marissa suggested building empathy toward one's students by using oneself as a starting point.

Something else that came up was the necessity of encouraging kids to share their negative reactions toward pieces of art. The guides talked about their experience with a Richard Serra sculpture in an exhibit a few years ago, and how students hated it when they first saw it, but how after engaging with it, many of them changed their minds. The group agreed that certain works of art are valuable within tours for their ability to turn kids off, and that those works serve as great icebreakers.

Today, I was talking with another AG about the Minimalism show that's going up on Saturday, which will be the site of the bulk of fall school tours. She expressed her excitement for it, and her particular interest in leading high school students through it. "Because they'll understand the conceptual part of it better?" I asked. "Because it's going to piss them off," she replied.

People talk about art as a thing of beauty, of cultural and significance, as an emotional force or a historical object, but I like art best when it pisses people off. Because what makes them angry, makes them talk, and when people talk -- especially passionately -- they learn.

routines and relationships, museum style

In a recent guest post on Nina Simon’s blog Museum 2.0, Laurel Butler, Education Specialist at the Yerba Buena Center from the Arts (YBCA) in San Francisco, talked about a program that the YBCA recently piloted called YOU Membership. Participants in the program enter into a close relationship with the YBCA, whose staff basically serves as the museum equivalent of personal trainers. Seriously: being a YOU Member means that you have professionals evaluate your interests and needs in order to recommend a “museum routine” designed to deepen your involvement with the institution and extend the benefits you reap from that involvement. From the point of view of the visitor, I see two major benefits of participating in the program. First, instead of having to sift through all offered programs and events, you are automatically directed toward the ones that should be of highest interest to you. Second, you get lots of one-on-one interaction with museum insiders. 

As someone profoundly interested in ways in which the museum can make its interpretive processes more transparent to the public and privilege the voices of its visitors, this kind of initiative seems like a giant leap in the right direction. Still, considering the fact that YBCA continues to struggle with getting YOU Members to participate in the programming recommended to them, I can’t help but wonder if their efforts aren’t somewhat misdirected. Instead of spending a lot of time customizing visits for an intimate group of people, would the YBCA be better advised to focus on attracting wider audiences to the museum by proposing alternative ways of experiencing its collection?

I’ve been mulling over a few possibilities for using technology and the web to extend the appeal of the museum visit to a larger public. The first is some type of printed resource or website that treats the meta of the museum by demystifying the inner workings of the institution. This would be designed to the give the audience a better sense of what goes into constructing and maintaining a museum, and what decisions are made by various museum professionals. Knowing where the authority lies and where interpretation enters the mix in any decision-making process can empower one to challenge the end product, and I think people willing to spend a bit of time familiarizing themselves with the ins and outs of museum work would begin to feel much more comfortable calling into question the meaning and value of things they encounter in the museum of art. If this type of revelatory information could exist in museums themselves as interactive displays, I think the effects would be revolutionary.

The second idea resembles something like craigslist for museums. Not a social networking site per se, but a place to connect with people offering a service that you need, this could be a way for educators and museum visitors to connect in an informal way. Not only could museums advertise their exhibitions and programs, but they could learn about the desires of their visitors, and visitors could find peers with shared interests with which to visit museums, attend events, and debrief museum experiences.

first week

my first week as the school and teacher programs intern at the mca chicago was awesome. things i love about it:

1. my supervisors are competent young women who are incredibly approachable and very open and excited to allowing me to pursue my own research and interests within the internship whenever possible;
2. the education department's offices are right next to curatorial's;
3. my first major project consists of retooling and extending the life of a wiki that came out of the summer teacher institute, and is going to be a lot of fun.

one of the great things about this internship is that it is going to give me a chance to do a lot of observing, reflecting upon, and talking about tours and other education programs, something that will certainly aid me in thinking about new strategies that can be used to privilege the visitor voice in museums. a few thesis-related thoughts that sprang up this week:

• one of my supervisors, talking about the koi pond on the first floor of the mca, noted that many of the artist guides use it during school tours to set the tone for the visit, and introduce the mca as a space that challenges preconceived notions of what a museum is. what a great way to knock down the authoritative voice a few pegs from the get-go: find a feature of the institution that defies the normal characteristics of the museum as temple, and use it to bring up the paradigm.
• the mca does a lot of work to maintain and strengthen relationships with a small group of teachers and schools. how can this be balanced with attracting new audiences to the museum, and what should be breakdown be between close-knit relationships with a select few and shallower relationships with a much larger public?

we love museums... do museums love us back?

um. this is adorable. also, it says in less than 5 minutes what i am still not sure if i said in 18 pages of intro/lit review.

prezi love

i really wish we could have some sort of thesis proposal share-fest for all the first-year mat/maaes. i've gotten to talk to some of you about your projects, and everything is so cool and interesting that i just want to know more.

i thought i should mention that thanks to this class, i ended up doing a prezi for the panel. i got some good but tough feedback during the panel, and i have a lot of rethinking/rewriting to do, but i still love how my presentation looked.

i wanted to take advantage of the fact that you can embed prezis (cool, right?) to post it here, but for some reason blogger does not want me to embed something that's not a downloaded or youtube-d video. so, if you want to take a look, you can find it on my tumblr.

deck of arts 4/21/11

your lit reviews will be done by wednesday, your panel presentations by thursday... so there's no reason you shouldn't come to this awesome event in the museum next thursday (the 21st) at 5:00! i co-designed the content and format with the rest of the lovely smc members, and it is (hopefully!) going to be something straight out of a nina simon blog post. you won't be disappointed!

mash flob!

i was looking at the mca's website to get an idea of the programming that will be going on during our class visit tomorrow night, and i stumbled upon this:

mash flob!

i got excited because i'm interested in alternative audio guides and programming that encourages a different kind of exploration of museum space, but then i noticed that instead of using a podcast form, the artist will be broadcasting live on fm radio. while i think this is an interesting idea that introduces a temporal element not present in similar experiences done through podcasts, who has a portable fm radio these days? not me.

testing the theory: exploring museum "practices"

when ray mentioned towards the end of our discussion of museum 2.0 last week that nina simon is known to accept facebook friend requests and respond to personal emails in record time, i decided to try it out.

i've been talking to cheri, liz, and kevin of the student museum coalition (smc) about putting on an event at the museum this spring as part of, or perhaps as an addendum to, their treasure hunt series. my idea started when i read about the mp3 experiments, a series of projects put on by the new york-based improv everywhere, in this post on her blog.

i wondered if, in addition to encouraging visitors to navigate the galleries, locate works of art, and glean information from labels, it would be possible to facilitate a more loosely structured exploration of museum space and resources, and encourage visitors to converse and interact with each other, by designing a podcast that would function like the mp3 experiments, but in the museum.

however, i was hitting a wall with regard to a few logistical issues, so i decided that i would see if ms. simon had any advice for me. less than 12 hours later, I got my advice:

It sounds like what you are conceiving is a collection of "practices" for experiencing art. Instead of treating them sequentially (which may make some people feel like they have to rush through them to complete the set), I'd recommend a starting message that says something about there being lots of ways to experience art, pick one or two to play with today, etc.  I also wonder whether you constrain yourself if they're all audio-based. You could have a few that are on cards and some that are audio-based - that would encourage more social and spontaneous use.

she also pointed me in the direction of an online voicemail box system that could be used in lieu of a podcast or a series of audio tracks. this seems like a great idea, since it eliminates the need to download something onto an mp3 player; audio-based activities can be accessed instead by the use of a cell phone.

anyways, i know this is a sketchy insight into the project i'm developing, but i just wanted to say thanks for the tip and let everyone else know that nina simon really is as cool and helpful and intelligent as her blog suggests. also, if anyone is interested in talking more about this proposed event and/or wants to get involved, let me know! peace out.